You are here:

Deeds of Flesh: Live in Montreal

Name: Deeds of Flesh: Live in Montreal
Released: 2005

No Poster Available

Representation Score

0.6/10

Minimal

2005

NOT RATED

Average Rating

No ratings yet

New Showbiz Analysis

This concert film serves as a niche musical document of a technical death metal performance. Since it lacks a scripted plot or character-driven narrative, it does not provide a platform for exploring complex social identities or diverse storylines. The low diversity scores reflect the film's narrow focus on musical execution and technical proficiency. The content is centered on the band's specific subgenre rather than intentional social representation. Ultimately, the production adheres to the standard demographic compositions of the mid-2000s death metal scene, offering little engagement with broader diversity themes.

Watch this, not that →

Category Breakdown

Does Deeds of Flesh: Live in Montreal have LGBTQ+ representation?

Minimal

The film focuses solely on the musical performance and does not include any LGBTQ+ characters or narratives about non-cisgender identities.

How does Deeds of Flesh: Live in Montreal portray gender?

Minimal

The performance centers around a male-dominated lineup typical of the death metal genre. There is a lack of women in leadership or high-impact roles.

How racially and ethnically diverse is Deeds of Flesh: Live in Montreal?

Minimal

The visual focus remains on the performers and the immediate audience. There is no emphasis on racial diversity or casting that reflects multiple aspects of identity.

How does Deeds of Flesh: Live in Montreal represent religion and culture?

Limited

The film operates within a death metal aesthetic that favors themes of decay and nihilism. It rejects traditional Western cultural norms through its anti-authoritarian tone.

Does Deeds of Flesh: Live in Montreal include disability representation?

Minimal

There is no evidence of performers or characters with visible or invisible disabilities integrated into the performance.

Present on Screen

The film offers a raw, visceral documentation of a specific musical subgenre and its technical proficiency.

Limited or Absent

The film lacks the narrative structure to engage with diverse social identities or multi-layered character arcs.
There is a notable absence of gender and racial diversity among the performers and the presented lineup.

Official Synopsis

Death metal band Deeds of Flesh has swapped out a few members since its inception, but diehards Erik Lindmark and Jacoby Kingston never compromise when it comes to earth-shattering live shows. The ground shook for the entire 14-song set at this Montreal concert, with the band thrashing out such tunes as "Carnivorous," "I Die on My Own Terms," "Deeds of Flesh" and "Infested Beneath the Earth." Also included is the video for "Crown of Souls."

How are these scores produced? →