
Making Mr. Right
1987

2012
PGDirector
Madeleine Olnek
Runtime
76 minutes
Average Rating
No ratings yetSynopsis
The adventures of lesbian space aliens on the planet Earth, and the story of the romance between Jane, a shy greeting card store employee, and Zoinx, the woman Jane does not realize is from outer-space. Meanwhile, two government agents, or 'Men In Black,' are closely tracking Jane and the aliens while harboring their own secrets.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film centers queer desire as its primary narrative engine. It avoids common tropes like coming out, instead presenting lesbian longing as an established reality.
Gender Representation
An all-female cast removes the male gaze from the central interpersonal dynamics. This structure focuses entirely on female agency and emotional labor.
Racial & Ethnic Diversity
Stylized sci-fi aesthetics and alien prosthetics obscure specific racial identifiers. The narrative does not actively utilize race to provide intersectional depth.
Religious & Cultural Diversity
The story prioritizes individual emotional truths over traditional social or religious structures. The setting decouples characters from Western institutional constraints.
Disability Representation
There are no depictions of physical or neurodivergent disabilities. Characters are defined by their extraterrestrial status rather than human-centric disability frameworks.
Strengths
Areas for Improvement
AI Analysis
Madeleine Olnek’s work succeeds in deconstructing cinematic norms by centering non-cisnormative desire. The film uses the science fiction genre to create an intentional space for marginalized identities, moving beyond mere inclusion to make queer identity the core driver of the plot. By removing male characters from the central dynamics, the film challenges patriarchal structures and creates a self-contained ecosystem of female agency. This radical structural choice allows for a pure exploration of identity and codependency. However, the film's stylized aesthetic limits its ability to explore intersectionality. The use of alien makeup obscures racial identifiers, and the brief runtime lacks depictions of disability, resulting in a more specialized, less intersectional narrative.

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