The film adheres strictly to heteronormative romantic structures. The narrative focuses on a traditional romantic triangle without any presence of non-cisnormative identities.

Male agency drives the plot, often positioning female characters as objects of obsession. The film reinforces traditional gender hierarchies and lacks subversion of masculinity or femininity.

The cast is culturally homogeneous, reflecting its South Asian regional context. It maintains a consistent cultural identity without attempting to disrupt ethnic homogeneity through intersectional casting.

The story operates within a standard moral framework typical of mainstream commercial cinema. It avoids critiques of traditional family structures or Western institutions, focusing instead on personal melodrama.

Split Personality Disorder is used primarily as a plot device to drive mystery and suspense. The portrayal serves genre requirements rather than offering a nuanced study of lived experience.