
The World Made Straight
2015

2011
Director
Ryan Redford
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Feeling lost and disconnected, with no family of his own, veteran Sherman Oliver sets out to the countryside in search of the soldier who saved him back in the war. That man, Franklin Page, has long since moved on - to a wife, two children, and a reliable job in a reliably safe and quiet rural town. The stability Franklin worked so hard to establish is soon threatened, and the violence he believed he'd left behind in the war begins to re-emerge and cloud over both the household and the town itself.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on heteronormative domesticity, specifically Franklin Page's life with a wife and children. No non-cisnormative identities or critiques of heteronormativity are present.
Gender Representation
The narrative relies on traditional masculine archetypes like the veteran and the protector. It explores male vulnerability but stays within conventional frameworks of male agency.
Racial & Ethnic Diversity
The setting of a quiet rural town suggests a homogeneous social environment. The film appears to reflect traditional, non-intersectional demographic norms.
Religious & Cultural Diversity
Themes focus on family stability and the sanctity of the home. The conflict arises from violence intruding upon a traditional, reliable lifestyle.
Disability Representation
The film may touch on the psychological aftermath of war. However, it is unclear if this provides character agency or serves as a mere plot device.
Strengths
Areas for Improvement
AI Analysis
Oliver Sherman is a traditional character drama that prioritizes individual trauma and the preservation of established social orders. The narrative follows a classic quest motif, focusing on the psychological toll of service and the fragility of domestic stability. The film operates within conventional storytelling structures, emphasizing themes of masculinity and legacy. It lacks engagement with intersectional identities or the deconstruction of systemic hierarchies, favoring a focus on individual redemption and the protection of the home. Ultimately, the work functions as a study of masculine responsibility and the collision between civilian life and wartime trauma, offering little representation beyond standard demographic norms.

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