The film lacks any depiction of LGBTQ+ identities or non-heteronormative relationships. The narrative focuses on international espionage and museum theft, leaving no room for queer themes.

Female characters like the nannies provide some agency through physical comedy. However, the high-stakes espionage plot relies on conventional masculine archetypes.

The story centers on a Western perspective in London. While Chinese spies drive the plot, they serve as catalysts rather than nuanced characters with high agency.

The film reinforces traditional Western institutions like the British monarchy and the Natural History Museum. It follows a conventional moral framework focused on restoring order.

There is no evidence of characters with visible or invisible disabilities being central to the story. No disability-related agency is present in the narrative.