
The Fixer
2017

1983
Director
Claude Goretta
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
A TV reporter and his assisstant go to a small Swiss village to do a programme with a reclusive scientist, an expert on world food shortages. During this time, an Italian immigrant worker is killed in a road crash and the reporter becomes involved in uncovering the truth about his death.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film maintains a neutral stance regarding sexual orientation. While the narrative explores social outsiders, there is no explicit detail regarding non-normative identities.
Gender Representation
A female assistant provides a foundation for professional agency. Her role suggests a collaborative environment that subtly challenges the patriarchal hierarchies common in 1980s cinema.
Racial & Ethnic Diversity
The story centers on an Italian immigrant worker, placing a migrant at the heart of the investigation. This disrupts the focus on homogeneous local populations.
Religious & Cultural Diversity
The film critiques systemic structures by juxtaposing global food shortages with local injustice. It prioritizes social justice and skepticism toward official institutions.
Disability Representation
There is no evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Claude Goretta’s drama succeeds by elevating a marginalized migrant worker to a position of central importance. By using his death as the catalyst for the plot, the film challenges the invisibility of immigrant labor in Western Europe. The narrative architecture is sophisticated, weaving together macro-level systemic issues like global food scarcity with micro-level injustices. This creates a powerful critique of how capitalism and social stratification affect the working class. While the film excels in ethnic and cultural commentary, it remains neutral on LGBTQ+ identities and lacks visible representation for disability. The professional dynamic between the reporter and his assistant offers a subtle, positive nod to gender agency.

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