The story centers on a heteronormative romance between Ruben and Marie. While it lacks explicit non-cisnormative identities, the film's focus on seeing beyond physical appearance subtly deconstructs traditional attraction norms.

Marie is granted significant agency and a central role in the plot's emotional development. The film avoids treating women as domestic fixtures, offering a nuanced look at her insecurities and intellect.

The setting and cast reflect a homogeneous European context. While Marie’s albinism challenges standard aesthetic norms, the film does not engage with broader racial or ethnic intersectionality.

The narrative prioritizes postmodernist themes and subjective truth over traditional Western social structures. It focuses on an intimate, isolated psychological landscape rather than community or civic duty.

Ruben’s blindness is a core component of his identity rather than a mere plot device. The film avoids inspiration porn, presenting his condition as a fundamental part of his lived experience.