The film contains no LGBTQ+ characters or narratives. It focuses entirely on traditional communal and familial structures without engaging in queer themes.

Female characters, particularly the mother, hold significant moral authority. However, their agency remains tied to preserving traditional religious hierarchies and domestic roles.

The cast depicts a homogeneous demographic typical of a rural mining town. There is an absence of non-white protagonists or racial mixing.

The story is rooted in singular Christian morality and spiritual warfare. It frames religious institutions as the primary lens for interpreting reality.

No characters with physical or neurodivergent disabilities are portrayed with agency. Themes of madness serve as supernatural plot devices rather than nuanced explorations.