The film lacks explicit evidence of non-heteronormative identities. It appears to follow a traditional genre framework centered on a sorority setting without queer narratives.

While the sorority setting ensures female visibility, the narrative relies on tropes where female agency is undermined by supernatural forces. There is no evidence of subverting gender hierarchies.

The cast's racial composition is not specified. Without evidence of diverse casting, the film appears to follow standard genre distributions that often lack intersectional depth.

The story uses traditional religious iconography, such as Satan, as a plot device. It does not appear to critique Western institutions or prioritize secularist themes.

There is no information regarding the inclusion of characters with visible or invisible disabilities within the narrative.