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Men Show Movies & Women Their Breasts

Name: Men Show Movies & Women Their Breasts
Director: Isabell Šuba
Released: 2014
Duration: 83 min

Representation Score

5.3/10

Fair

2014

Director

Isabell Šuba

Runtime

83 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film offers a sharp critique of the cinematic industry, particularly focusing on the systemic exclusion of women at major film festivals like Cannes. It effectively turns traditional gender roles upside down, presenting the female lead as the competent professional and the male lead as an incompetent figure stuck in outdated attitudes. However, the film's impact is limited by its narrow focus on gender issues, lacking visible representation of racial, ethnic, or LGBTQ+ identities.

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Category Breakdown

Does Men Show Movies & Women Their Breasts have LGBTQ+ representation?

Fair

The film does not depict any LGBTQ+ identities or relationships that go beyond the assumption that everyone is straight or cisgender.

How does Men Show Movies & Women Their Breasts portray gender?

Excellent

The movie challenges traditional gender roles by showing Isabell as a capable professional while portraying David as an incompetent figure stuck in old-fashioned attitudes.

How racially and ethnically diverse is Men Show Movies & Women Their Breasts?

Limited

The context lacks specific details regarding the racial or ethnic composition of the cast. The narrative focus remains centered on the gendered politics of the Cannes Film Festival.

How does Men Show Movies & Women Their Breasts represent religion and culture?

Good

The film criticizes established Western institutions and traditional power structures, highlighting the lack of female directors in the industry.

Does Men Show Movies & Women Their Breasts include disability representation?

Minimal

There are no characters with visible or invisible disabilities in the story.

Present on Screen

Challenges traditional gender roles and professional expectations.
Critiques systemic exclusion within major Western film institutions.
Offers a nuanced portrayal of female ambition against industry chauvinism.

Limited or Absent

Lacks visible racial and ethnic diversity.
Does not include LGBTQ+ representation or non-straight-centered character arcs.
Does not explore multi-layered identities beyond gender politics.

Official Synopsis

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

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