
The Labyrinth
1971

Representation Score
Fair
1974
Director
Georges Schwizgebel
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as an experimental piece using LED light technology to reinterpret a classic myth. It avoids many issues of traditional representation but lacks explicit character's ability to drive the story and complexity related to identity. The work is more about technological innovation than social commentary. Overall, the film provides a sensory experience that challenges traditional narratives, but it remains neutral on specific identity-related themes.
Category Breakdown
The film uses LED lights to create a neutral environment for identity exploration. Although it allows for non-traditional interpretations, the absence of character dialogue means there is no direct representation of LGBTQ identities.
The film focuses on the male character Icarus but challenges traditional masculine roles. It shifts the emphasis from physical strength to a more fluid, sensory, and aesthetic experience.
The characters are depicted using light rather than traditional ethnic features, avoiding stereotypes but also lacking intentional diversity.
The film moves away from traditional cautionary tales by focusing on individual perception rather than established cultural or religious norms.
The abstract nature of the animation does not provide any indication of how physical or neurodivergent identities are portrayed.
Present on Screen
Limited or Absent
Official Synopsis
Loosely following the Greek myth of the Flight of Icarus, Georges Schwizgebel opens his directional career with Le vol d'lcare, a short animation of LED lights.

1971
2003

1992

1974

1986

1998

1985

1973
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.