The film prioritizes kinetic action and comedic timing over the exploration of non-cisnormative identities. There is no evidence of LGBTQ+ character arcs or critiques of heteronormativity.

The narrative centers on a male protagonist and a male-dominated ensemble of street cleaners. The structural focus on a male-centric secret organization suggests a traditional hierarchy.

As a Hong Kong production, the film features a predominantly East Asian cast. It utilizes Jiangshi folklore to depart from Western supernatural tropes.

The story engages with themes of systemic institutionalism through a government-adjacent secret organization. It leans toward traditional heroism and the underdog archetype.

The protagonist is a 'born loser,' an archetype that may touch on social marginalization. However, there is no evidence of nuanced portrayals of neurodivergence or physical disability.