
The Climb
2020

Representation Score
Good
2018
Director
Madeleine Sami, Jackie van Beek
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Breaker Upperers succeeds as a character study that challenges traditional gender hierarchies. By placing two women in positions of professional power, the film centers women's ability to drive the story and decision-making over domestic archetypes. However, the film operates within a relatively homogeneous social framework. It lacks significant racial, ethnic, or LGBTQ+ diversity, focusing instead on a specific white, urban New Zealand demographic. While the film offers a sharp critique of romantic social norms and emotional labor, it misses opportunities to engage with broader diverse lived experiences or disability representation.
Category Breakdown
The film focuses on heterosexual relationships and their breakdown. It lacks prominent LGBTQ+ characters or non-straight identities to drive the central plot.
The narrative centers on two women with significant professional roles. They challenge traditional gender stereotypes by emphasizing female intellect and autonomy over passive romantic roles.
The cast and setting reflect a predominantly white, urban New Zealand demographic. The film lacks significant racial or ethnic diversity within its social landscape.
The story critiques the commodification of modern emotional labor and the sanctity of romantic unions. It uses a postmodern approach to challenge traditional social milestones.
There is no significant focus on visible or invisible disabilities. Character struggles remain centered on emotional and interpersonal conflicts rather than neurodivergence or physical disability.
Present on Screen
Limited or Absent
Official Synopsis
Two women run a business breaking up couples for cash but when one develops a conscience their friendship unravels.

2020

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