
It
2017

2015
Director
Adam Egypt Mortimer
Runtime
82 minutes
Average Rating
No ratings yetSynopsis
When troubled teen Lincoln is subjected to severe bullying, he accidentally conjures the vengeful ghost of Moira Karp. Once a teenage girl pushed to suicide, Moira is now an unstoppable force on a mission of gruesome retribution. But when she goes too far, Lincoln must prevent her from spiraling out of control.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks identifiable LGBTQ+ characters or explorations of non-cisnormative identities. The narrative focuses strictly on the supernatural conflict and the protagonist's psychological state.
Gender Representation
Moira Karp subverts traditional gender hierarchies by acting as an unstoppable, autonomous force of retribution. She avoids the 'damsel in distress' trope, instead occupying a role of absolute power.
Racial & Ethnic Diversity
The story appears to center on a localized, homogeneous social environment. There is little evidence of diverse casting or intersectional character depth within the protagonist's peer group.
Religious & Cultural Diversity
The film critiques the failure of social institutions through a lens of moral relativism. It prioritizes individual emotional truth and the consequences of systemic bullying over structured ethical frameworks.
Disability Representation
Themes of psychological trauma and social isolation are present, though they function primarily as horror drivers. The film lacks nuanced depictions of lived experiences with mental health conditions.
Strengths
Areas for Improvement
AI Analysis
Some Kind of Hate is a psychological genre piece that prioritizes internal character deconstruction over traditional moralizing. It succeeds in subverting gendered power dynamics by centering a female entity as the primary source of agency and terror. However, the film lacks breadth in racial and LGBTQ+ representation. The narrative remains focused on a homogeneous social environment, which limits its intersectional depth. Ultimately, the film's strength lies in its disruption of heroic archetypes. It presents a blurred boundary between victim and aggressor, reflecting a postmodern approach to justice.

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