The film lacks LGBTQ+ characters or explorations of non-heteronormative identities. It adheres to the traditional interpersonal dynamics common in 1960s Japanese period dramas.

Female characters are largely relegated to supporting roles, often appearing as victims or background figures in social spaces. Narrative agency remains concentrated almost exclusively in male protagonists.

The cast is a homogeneous Japanese ensemble, reflecting the historical Meiji-era setting. While accurate to the period, the film does not actively subvert traditional demographic norms.

The story critiques systemic power by framing local officials and institutions as corrupt. It highlights the struggle between impoverished villagers and exploitative entities, prioritizing marginalized survival.

The protagonist, Zatoichi, is depicted with blindness, presenting his impairment as a fundamental part of his identity. He remains a highly capable and skilled swordsman throughout.