
How to Hack Your Boss
2021

Representation Score
Limited
2018
Director
Pierre-François Martin-Laval
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Gaston Lagaffe is a character-driven comedy that emphasizes situational humor over diverse representation. The film's demographic diversity is limited, especially concerning racial and LGBTQ+ inclusion, resulting in a lower overall score. However, the film offers cultural commentary by presenting Gaston's anti-social, free-spirited nature against a rigid corporate entity. This narrative provides a lighthearted critique of traditional Western institutional values and professional conformity. Ultimately, the film prioritizes slapstick disruption of workplace hierarchy over identity-based inclusion.
Category Breakdown
The film does not include any LGBTQ+ characters or storylines. It focuses on traditional straight relationships within a typical corporate setting.
Gender dynamics follow established office hierarchies. Female characters have professional roles, but the film does not challenge traditional gender power structures.
The setting features a predominantly white, middle-class corporate demographic. The narrative does not include significant racial or ethnic diversity among the main characters.
The story critiques rigid capitalism and bureaucracy through Gaston's eccentric behavior. It portrays the disruption of institutional order as a source of comedic liberation.
Gaston's clumsiness serves as a slapstick comedic device rather than a nuanced portrayal of disability. No characters are shown through the lens of lived experience.
Present on Screen
Limited or Absent
Official Synopsis
Gaston is a new guy at the Peticoin start-up. With his delusional inventions, he will change the lives of his colleagues. Cat, seagull, cow, and gaffophone will be at the center of the mishaps of this genius laidback handyman who wants only to do good, but has the gift of annoying Prunelle, his boss. Can those Gaston's gaffes galore prevent the buy-out of the Peticoin by Mr. de Mesmaeker?

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