
The Good Guys and the Bad Guys
1969

Representation Score
Minimal
1965
NRDirector
Burt Kennedy
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Rounders is a traditional mid-century Western comedy that emphasizes established masculine archetypes. While it offers a humorous take on the stoic cowboy through comedic incompetence, this humor remains confined within a narrow social framework. The film lacks depth in representing diverse identities, adhering to the demographic norms of the 1960s. It reinforces conventional social hierarchies rather than challenging them, focusing on personal luck and male friendships. Overall, the production maintains a standard, homogeneous view of the American frontier, offering limited representation beyond the central male duo.
Category Breakdown
The film centers on the camaraderie between two male leads and does not depict any non-binary gender identities or same-sex relationships.
Male characters dominate the narrative, while females play minor roles that reinforce traditional gender hierarchies.
The cast primarily features white actors, reflecting the historical homogeneity of mid-century Westerns. Characters of color are not given central roles, presenting an Anglo-centric perspective.
The story explores socioeconomic struggles and the drifter lifestyle within established social norms, without critiquing systemic issues.
No characters with visible or invisible disabilities are depicted. None of the characters have storylines centered around physical or cognitive impairments.
Present on Screen
Limited or Absent
Official Synopsis
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

1969

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