
Scanners II: The New Order
1991

Representation Score
Limited
1992
RDirector
Christian Duguay
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Scanners III: The Takeover is a typical science fiction thriller that focuses on fast-paced action rather than social commentary. It adheres to the demographic norms of the early 1990s, lacking diverse casting and LGBTQ+ representation. The film's strength lies in its critique of institutional power. By portraying the 'Scanners' as underrepresented individuals battling a corrupt corporation, it effectively addresses anti-establishment themes. However, the film maintains traditional gender and racial dynamics and uses neurodivergent metaphors mainly as combat tools, rather than exploring nuanced lived experiences.
Category Breakdown
There are no LGBTQ+ characters or storylines in the film. The movie does not include any characters with non-traditional gender identities or critique the assumption that everyone is straight or cisgender.
The film follows traditional action-movie structures. A female character undergoes significant change, while male characters hold the main protagonist and tactical roles.
The cast is predominantly white, reflecting the typical sci-fi conventions of the early 1990s with limited ethnic diversity.
The story criticizes corporate dominance, presenting a high-tech corporation as an antagonist exploiting underrepresented individuals.
Telepathic abilities are central to the plot. These powers are used as a metaphor for neurodivergence but are framed through combat scenarios.
Present on Screen
Limited or Absent
Official Synopsis
A young scanner with extraordinary telepathic powers transforms into a lethal killing machine after taking one of her father's experimental drugs.

1991

1992

2016

1979

1994

1977

2004

1998
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.