
Michael Jackson: Man In The Mirror
2017

Representation Score
Good
2017
TV-14Director
Dianne Houston
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film effectively critiques systemic racial biases by highlighting the testimonies of Black bodyguards and challenging the monolithic media narratives surrounding Black icons. However, it narrows its focus, lacking significant representation for LGBTQ+ identities and not using disability or neurodivergence as primary narrative drivers. Instead, it focuses on legal and biographical drama.
Category Breakdown
The film does not intentionally highlight LGBTQ+ identities or explore LGBTQ+ themes. It focuses on Jackson's role as a parent and professional figure, without delving into his personal life in terms of sexual orientation or gender identity.
The film highlights Jackson's role as a father and presents a more vulnerable, domestic side of masculinity. However, there is a lack of diverse female roles that take a leading part in the main storyline.
The documentary addresses the systemic scrutiny faced by Black figures by featuring the perspectives of Black bodyguards. It examines Jackson's struggles within the context of racialized media scrutiny.
The film portrays Western institutions, such as the legal system and mainstream media, as failing to understand Jackson's private world. It highlights the tension between media narratives and personal stories.
The film touches on the psychological pressures of fame but does not center neurodivergence or physical disabilities. Mental health issues are secondary to the legal and biographical aspects of the story.
Present on Screen
Limited or Absent
Official Synopsis
Based on the best-selling book, Remember the Time: Protecting Michael Jackson in His Final Days, and told through the eyes of Jackson's trusted bodyguards, Bill Whitfield and Javon Beard. The movie will reveal firsthand the devotion Michael Jackson had to his children, and the hidden drama that took place during the last two years of his life.

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