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Giulio Regeni: All The Evil In The World

Giulio Regeni: All The Evil In The World

Representation Score

1.8/10

Minimal

2026

Director

Simone Manetti

Runtime

96 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The documentary’s narrow focus on an Italian student’s death shapes its representation. Women emerge as active investigators and advocates, challenging traditional passive roles in true-crime narratives. This strength is tempered by a predominantly male cast in positions of power and violence. Cultural portrayal is stark, presenting the Egyptian regime as a monolithic source of evil. While this delivers moral clarity, it sacrifices complexity and depth in depicting Egyptian characters beyond their roles as perpetrators. The result is a one-sided cultural lens. LGBTQ+ and disability representation are entirely absent, reflecting the specific subject matter but limiting broader inclusivity. The film’s power lies in its unflinching examination of institutional failure and the relentless pursuit of truth by those left behind.

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Category Breakdown

Does Giulio Regeni: All The Evil In The World have LGBTQ+ representation?

Minimal

No LGBTQ+ characters appear or are identified. The documentary concentrates solely on the investigation into Giulio Regeni’s death, leaving queer identities entirely absent from its frame.

How does Giulio Regeni: All The Evil In The World portray gender?

Limited

Women serve as pivotal figures, notably his mother and lawyer Alessandra Ballerini, who propel the inquiry forward. Men dominate the narrative of violence and authority, including his father and the perpetrators.

How racially and ethnically diverse is Giulio Regeni: All The Evil In The World?

Limited

The primary subjects are Italian, with the film anchored in the family’s perspective. Egyptian characters populate the setting and act as perpetrators, yet they remain peripheral to the emotional core.

How does Giulio Regeni: All The Evil In The World represent religion and culture?

Excellent

The film depicts a foreign dictatorship as brutal and unjust, emphasizing institutional failure to protect a student. It frames the regime’s actions as systemic evil rather than nuanced political dynamics.

Does Giulio Regeni: All The Evil In The World include disability representation?

Minimal

No characters with physical or mental disabilities appear. The narrative focuses on the trauma of torture and the subsequent legal struggle, without integrating disability perspectives.

Present on Screen

  • Women drive the investigation as family advocates and legal representatives.
  • Directly confronts authoritarian regimes and state-sanctioned violence with moral clarity.

Limited or Absent

  • Completely lacks LGBTQ+ representation, missing an opportunity for broader inclusivity.
  • Egyptian characters are underdeveloped, appearing mainly as faceless agents of violence.

Official Synopsis

The events related to the death of Giulio Regeni, kidnapped, tortured and killed in Egypt, with the reconstruction of his family and lawyer Alessandra Ballerini, showing the stages of the kidnapping, the torture and killing.

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