
Guest House
2019

Representation Score
Limited
2018
Director
Søren Juul Petersen
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film successfully disrupts traditional gender hierarchies by centering the plot around two women with distinct motivations. However, it lacks broader multi-layered complexity, such as racial or ethnic diversity. Additionally, there is no representation of LGBTQ+ identities or characters with disabilities. While the film offers a nuanced critique of modern digital dependency, it remains a localized study.
Category Breakdown
There are no visible LGBTQ+ characters or narratives focusing on non-cisgender identities in the film.
The story focuses on two women with significant roles in driving the plot, challenging traditional male-dominated survival scenarios.
The setting suggests a localized, potentially homogeneous environment near the Danish-German border. There is no evidence of diverse casting or multi-layered breadth.
The narrative critiques modern Western social structures and digital dependency. It explores how mass media and televised events can erode community presence and social connectivity.
The film does not feature any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Nationwide quietness. The streets are empty. Everyone’s glued to their screens at home, watching the final game. In the outskirts of Denmark, close to the German border, a small gas station needs to be open for service, even on this special night. Two young women have the shift. Ambitious Agnes is in the backroom putting finishing touches on her thesis, while free-spirited Belinda is on her phone, hoping to get the attention of her boyfriend. Unfortunately, the shift is not going to be as uneventful as they think, because no customers also means no witnesses, and the girls have been spotted to play a special part in a very different sort of game.

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