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Trailer Made
2016
TV-PGDirector
Jacobus Kriel
Runtime
78 minutes
Average Rating
No ratings yetSynopsis
In an attempt to reconnect with his estranged son Daniel, struggling Los Angeles screenwriter Peter Davis resolves to bring his young boy along on his latest research expedition to Africa. But after their luggage is accidentally switched, leaving them stranded without money and passports, the down and out pair is forced to seek refuge in an old run-down trailer scheduled for imminent scrapping! Befriending the scrap yard owner’s son, Daniel and his new found companion Asanda embark on an imaginative journey through different worlds in order to seek the “ultimate story” to help Peter. After travelling through fantastical lands and strange new planets Daniel finally realises that the true meaning of life is actually found in spending time with those you love.
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Diversity & Representation
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ characters or non-heteronormative identities. The story focuses almost entirely on the paternal bond between Peter and Daniel.
Gender Representation
The narrative centers on a male-driven dynamic between a father and son. It lacks female characters with significant agency or the subversion of traditional gender hierarchies.
Racial & Ethnic Diversity
The story features meaningful cross-cultural engagement by pairing a Western protagonist with local African characters. Asanda serves as a central companion, facilitating a journey that transcends racial boundaries.
Religious & Cultural Diversity
The film uses a fish-out-of-water trope to critique Western material security. While it explores different cultural settings, the resolution relies on traditional sentimental values regarding family.
Disability Representation
There is no evidence of characters with visible or invisible disabilities within the narrative. No representation is present in this category.
Strengths
- Meaningful cross-cultural engagement through the interaction of Western and African characters.
- The inclusion of local characters like Asanda helps the story transcend racial boundaries.
- The setting provides a platform for diverse cultural interactions within an adventure framework.
Areas for Improvement
- The narrative lacks female characters with high agency or significant roles.
- There is a notable absence of LGBTQ+ representation or non-heteronormative identities.
- The story adheres to traditional gender hierarchies and conventional family tropes.
AI Analysis
Trailer Made functions as a conventional family adventure that leans heavily on traditional narrative structures. While it avoids active derogatory portrayals, it lacks significant depth in gender and LGBTQ+ representation, focusing instead on a standard paternal relationship. The film's strength lies in its cross-cultural interaction. By placing Western characters in an African context and introducing local companions like Asanda, the story moves beyond a purely Western perspective to embrace a more diverse setting. Ultimately, the film prioritizes emotional connection and imaginative play over radical social deconstruction. It succeeds as a cross-cultural adventure but remains tethered to traditional storytelling tropes regarding family and social roles.
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