
Listen to Your Heart
2010

2009
Director
Kim Jeong-jung
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
Once a promising musician, Hyeon-seok has been living as a commoner after he found the symptom of Meniere’s syndrome. He had to stop playing music because his ears distorted sounds into noise. To run away from reality and depression he heads to Japan. Arriving at Monbetsu, a small city in Hokkaido, Japan, he meets Megumi at the train station, the local travel guide. Staying at ‘Megumi Inn’, they get to share emotions through music, natural sounds and having meals together.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story follows a heteronormative romantic connection between Hyeon-seok and Megumi. There is no evidence of non-cisnormative identities or critiques of heteronormativity.
Gender Representation
The film centers on an emotional journey between a male protagonist and a female guide. While Megumi avoids submissive tropes, the power dynamics follow traditional emotional reciprocity.
Racial & Ethnic Diversity
The narrative features a South Korean protagonist navigating a Japanese setting in Hokkaido. This cross-cultural engagement disrupts homogeneous national narratives through transnational connection.
Religious & Cultural Diversity
The film critiques capitalist professional pressure by prioritizing sensory, localized experiences like music and meals. It maintains a traditional emotional structure without radical frameworks.
Disability Representation
Meniere’s syndrome is integrated into the protagonist's identity rather than used as a plot device. This provides a realistic depiction of living with chronic auditory distortion.
Strengths
Areas for Improvement
AI Analysis
Oishii Man succeeds as a character study by grounding its drama in the lived experience of a sensory disability. The portrayal of Meniere’s syndrome avoids common tropes, instead focusing on how auditory distortion shapes the protagonist's depression and identity. The film also offers a nuanced transnational perspective, using the interaction between a Korean musician and a Japanese local to explore cross-border connections. This adds a layer of cultural depth beyond standard romantic tropes. However, the film remains largely within the confines of traditional romantic drama. It lacks significant LGBTQ+ representation and relies on established gender dynamics, which limits its broader social subversion.

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