
Ballerine
1937

Representation Score
Fair
1937
Director
Jean Benoît-Lévy, Marie Epstein
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
La Mort du Cygne is a psychological character study that emphasizes the roles of women in the ballet world. By focusing on the ambitions and rivalries of women, the film avoids the passive muse cliché and offers meaningful women's ability to drive the story. However, the film is constrained by the historical context of 1930s French cinema. It lacks racial diversity and does not include any evidence of LGBTQ+ representation, reflecting a very homogeneous social landscape. While the plot uses physical impairment to drive the drama, it treats disability as a narrative device for guilt rather than a nuanced exploration of lived experience.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. The strong bond between Rose and Mademoiselle Beaupré does not suggest any queer themes.
The story focuses on the roles of women in the ballet world, highlighting their ambition and moral conflicts. Characters like Rose and Nathalie drive the plot through their actions and decisions.
The production reflects the homogeneous society of 1937 France. There is no indication of diverse casting to challenge historical norms.
The narrative explores moral ambiguity through Rose's sabotage. However, it remains focused on traditional Western artistic institutions without broader systemic critique.
A broken leg serves as a central plot point, functioning primarily as a catalyst for guilt rather than a detailed exploration of disability.
Present on Screen
Limited or Absent
Official Synopsis
As its title indicates, La Mort du Cygne is set in the special world of the ballet. Young dance student Rose Souris idolizes her teacher-role-model Mademoiselle Beaupré, and will do anything to help Mademoiselle Beaupré further herself. Thus, when rival ballerina Nathalie Karine lands a much-coveted role, Rose arranges an accident causing Nathalie to break her leg. The girl comes to regret her rash behavior when it appears as though Nathalie will never dance again.

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