
Worst Case We Get Married
2017

2020
Director
Ezequiel Tronconi, Juan Sasiaín
Runtime
74 minutes
Average Rating
No ratings yetSynopsis
Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a heterosexual romantic conflict between Bruno and Juliana. There is no explicit evidence of queer characters or non-heteronormative identities within the narrative.
Gender Representation
Bruno’s hesitation regarding fatherhood suggests a deconstruction of traditional masculine roles. However, the plot utilizes a classic romantic triangle involving a younger female employee, which risks relying on conventional tropes.
Racial & Ethnic Diversity
As an Argentine production, the film operates within a specific regional context. The narrative does not explicitly highlight racial tension or intersectional identity in the provided details.
Religious & Cultural Diversity
The story prioritizes individualistic, existential exploration over communal or religious duty. It frames traditional milestones like parenthood as sources of anxiety rather than social triumphs.
Disability Representation
There is no information available regarding characters with physical, sensory, or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
El encanto is an intimate psychological study that finds its progressive value in questioning traditional life trajectories. Rather than reinforcing social hierarchies, the film explores the uncertainty of marriage and parenthood through a lens of personal autonomy. The narrative succeeds in deconstructing the 'provider' archetype by centering on a protagonist's internal crisis. However, the reliance on a romantic triangle involving a younger woman suggests a lingering attachment to standard cinematic tropes. Ultimately, the film's strength lies in its secular, subjective approach to life milestones, favoring individualistic pursuits like music over the pursuit of traditional family expansion.

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