
The Distances
2018

2019
Director
Leonardo Guerra Seràgnoli
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
Just out of high school, Lavinia, Carla and Danila leave for a yachting holiday. Accompanied only by a skipper, the three of them sail along the Croatian coast at the start of a new stage in their lives. Full of dreams, free and laid-back, they are unaware that sharing everything on the social media is about to transform their holiday into a brutal rite of passage to adulthood in which nothing, especially their friendship, will ever be the same again.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores a free and laid-back atmosphere among three young women. While it avoids explicit queer identities, the focus on female friendship suggests a departure from heteronormative structures.
Gender Representation
The story centers entirely on female agency and autonomy. By focusing on the psychological development of three women, it disrupts tropes that often relegate young women to secondary roles.
Racial & Ethnic Diversity
The Mediterranean setting and character descriptions suggest a primarily Eurocentric cast. There is no evidence of significant racial blending or the subversion of Anglo-centric casting patterns.
Religious & Cultural Diversity
The narrative offers a sophisticated critique of digital capitalism and social media. It challenges the perceived positivity of modern connectivity through a cynical, realistic lens.
Disability Representation
The narrative focuses on social and psychological transitions. There is no indication of neurodivergence or physical disability being utilized as a central thematic element.
Strengths
Areas for Improvement
AI Analysis
Likemeback is a focused character study that prioritizes the female experience and the psychological friction of the digital age. Its strength lies in its centering of female agency and its nuanced critique of how social media transforms human connection. However, the film lacks intersectional breadth. The cast appears largely Eurocentric, and there is a notable absence of representation regarding disability or explicit LGBTQ+ identities. Ultimately, the film succeeds as a specific exploration of youth and transition, even if it remains within a relatively narrow demographic scope.

2018

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2013
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