
End of Days, Inc.
2015

2012
Director
Paul Seetachitt
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Imagine asteroids so large that they can wipe out all life on the planet constantly bombarding the Earth. The only things standing in the way are the Rock Jocks, a top-secret band of government employees, who pilot asteroid-killing satellites. The story takes place during a Rock Jocks night shift. Though they are there to fight off asteroids, they spend most of the night fighting off boredom, themselves, and the occasional meddling government bureaucrat hell-bent on cutting their department’s budget.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative relationships. The narrative focuses on workplace friction and cosmic survival rather than specific character arcs regarding sexual orientation.
Gender Representation
Felicia Day’s top-billed role helps move the film away from traditional male-centric sci-fi hierarchies. The ensemble suggests a decentralized team dynamic rather than a singular masculine hero archetype.
Racial & Ethnic Diversity
Casting choices like Justin Chon, Kevin Wu, and Gerry Bednob disrupt the trope of homogeneous Western scientific ensembles. This multi-ethnic unit challenges the cinematic link between technological agency and Anglo-Saxon protagonists.
Religious & Cultural Diversity
The story critiques traditional Western institutions by framing conflict around meddling bureaucrats and budget cuts. It prioritizes individual subcultural experiences over the preservation of institutional stability.
Disability Representation
There is no verifiable evidence regarding the portrayal of physical or neurodivergent disabilities within the provided cast or synopsis.
Strengths
Areas for Improvement
AI Analysis
Rock Jocks succeeds in diversifying the science fiction genre through its intentional casting. By placing a multi-ethnic ensemble in a high-stakes planetary defense role, the film breaks away from the standard Anglo-Saxon protagonist trope. The narrative also offers a subtle subversion of authority. Instead of celebrating institutional power, the plot focuses on the friction between a specialized crew and the bureaucrats attempting to dismantle them. However, the film remains limited in its exploration of identity. The absence of LGBTQ+ representation and disability-focused narratives prevents a more comprehensive intersectional impact.

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