
The Touch
1992

Representation Score
Good
1991
Director
Evgeny Yufit
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Evgeny Yufit’s work serves as a deconstructionist piece that challenges traditional social and moral hierarchies. It successfully dismantles the 'ideal' of a stable family and respectable citizen through themes of systemic decay. However, the film lacks significant diversity in terms of race and gender. Its narrative is heavily male-centric and does not showcase visible racial diversity, limiting its broader impact. Ultimately, the film’s progressive value lies in its thematic commitment to moral relativism and its critique of institutional stability rather than in its cast composition.
Category Breakdown
The film explores unconventional intimacy and sexual activities among middle-aged men, challenging traditional views on sexuality. However, it does not explicitly label characters based on their LGBTQ identities.
The story focuses on a male biologist and his personal failures. While it challenges traditional male dominance by depicting respectable men in underrepresented sexual roles, the narrative still centers on male experiences and struggles.
Given its 1991 Russian production context, the film appears to have a homogeneous ethnic cast. There is no indication of diverse racial representation or overlapping identities.
The film critiques traditional family values and social institutions through psychological morbidity and taboo behaviors. It highlights the instability of societal morality.
Psychological distress and mental health issues are central to the horror. However, these conditions serve mainly as atmospheric plot devices rather than as defining character traits.
Present on Screen
Limited or Absent
Official Synopsis
A biologist, obsessed with the idea of writing a treatise on a new kind of mouse, becomes witness to a number of bizarre and horrific events, from his son's suicide, to the S&M engaged in by respectable middle-aged men, to his own family's psychic morbidity.

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