
La tête la première
2012

Representation Score
Fair
2015
RDirector
Jordan Goldnadel
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Happy is a character-driven film that delves into the evolution of identity and social standing. By focusing on the internal growth of its main characters, the film transcends typical romantic narratives to explore how upbringing influences personal choices. The narrative effectively contrasts European and American cultural perspectives, providing a platform to discuss diverse social environments. However, the film's exploration remains limited to certain cultural backgrounds and does not include broader racial or ethnic diversity.
Category Breakdown
The film follows a protagonist's journey of self-discovery, emphasizing the fluidity of sexual identity rather than fixed roles.
Alessia is portrayed with significant control over her own life rather than being defined solely by her romantic relationships. The story focuses on individualistic traits rather than traditional gender roles.
The film sets up a dialogue between Parisian and American cultures, highlighting the exchange and differences in societal views.
The plot criticizes restrictive social structures and class divisions, favoring personal passion and individual values over traditional family duties.
There is no mention of characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Florent, 23, is an upper class Parisian who dreams of going back to America, where he attended college. One summer he meets Alessia, an American girl, lost in the streets of Paris. Together and with random encounters while on a journey from Paris to Normandy, they explore their passions, which draws them closer as well as brings up their clashing differences. As they face a crucial crossroad in their lives, they will uncover new sides of themselves, struggling to determine who they are personally, professionally and sexually while to break free from their upbringings.

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