The film lacks any presence of non-cisnormative gender identities or same-sex intimacy. Character dynamics remain strictly heteronormative, adhering to standard romantic tropes.

Anita is portrayed as a professional, yet her arc is integrated into a conventional romantic partnership. The film follows mid-century archetypes without subverting traditional gender hierarchies.

The production features a predominantly homogeneous, white cast within a stylized London setting. There is a notable absence of characters of color in positions of agency.

The narrative emphasizes Western middle-class domesticity and the nuclear family. Cruella De Vil’s greed is framed as an individual moral failing rather than a systemic critique.

There is no meaningful portrayal of visible or invisible disabilities. Characters are depicted through a lens of physical normality, ignoring neurodivergence or chronic illness.