The film lacks any evidence of non-cisnormative identities or same-sex intimacy. The character dynamics appear to follow a traditional protagonist and savior framework.

Sara provides intellectual agency as a researcher, avoiding the trope of the female victim. However, the plot relies on Dhruva to save the day, reinforcing traditional masculine hero archetypes.

While names like Sara and Dhruva suggest a specific cultural setting, there is no explicit detail regarding the cast's racial composition or ethnic diversity.

The story focuses on humanist values through a scientific pursuit for the greater good. It utilizes common horror tropes rather than offering deep cultural or institutional critiques.

There is no mention of characters navigating neurodivergence or physical disabilities. The zombie element serves as biological horror rather than a nuanced exploration of disability.