You are here:

Terminal Error

Name: Terminal Error
Director: John Murlowski
Released: 2002
Duration: 94 min

Representation Score

2.3/10

Limited

2002

PG-13

Director

John Murlowski

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Terminal Error is a conventional early-2000s action-thriller that prioritizes high-concept genre clichés over social depth. The narrative architecture centers on a male-centric conflict, focusing on a father and son navigating a technological crisis. The film lacks intentionality in challenging social hierarchies. It relies on established formulas of individual heroism and the preservation of corporate order, offering little in the way of diverse perspectives.

Watch this, not that →

Category Breakdown

Does Terminal Error have LGBTQ+ representation?

Limited

The film focuses on a traditional father-son relationship within a patriarchal structure. It does not include any non-straight or non-cisgender identities or critiques of heteronormativity.

How does Terminal Error portray gender?

Limited

Male characters, including the tycoon, his son, and the antagonist, play key roles in the story. The narrative reinforces traditional masculine leadership and competence.

How racially and ethnically diverse is Terminal Error?

Limited

The story is set in a corporate environment and revolves around a digital tycoon. It follows early 2000s casting conventions that prioritize homogeneous lead casts.

How does Terminal Error represent religion and culture?

Fair

The plot emphasizes the protection of established corporate systems and individual competence. It aligns with traditional Western values without critiquing capitalist structures.

Does Terminal Error include disability representation?

Minimal

The film does not depict any physical or neurodivergent disabilities. None of the characters are identified as having visible or invisible disabilities.

Present on Screen

The film provides a clear, high-concept premise centered on a technological menace.

Limited or Absent

The narrative lacks gender diversity, focusing almost entirely on male characters.
There is a lack of diverse identities or non-cisgender representation.
The story reinforces traditional social hierarchies rather than subverting them.

Official Synopsis

Michael Nouri stars in this high-tech thriller as Brad Weston, a digital tycoon who must fend off attacks from his former partner, who's unleashed a computer virus onto the entire system at his firm Autocom. But the virus appears to be a true menace that's determined to destroy anyone -- or anything -- that comes its way. Now, Weston must rely on his son (Matthew Ewald), a teenager with a penchant for hacking, to stop the menace in its tracks.

How are these scores produced? →