
Bedford Springs
2002

Representation Score
Limited
2007
Not RatedDirector
Monty Miranda
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Skills Like This is a character-driven comedy that prioritizes individualistic ethics over social norms. The plot follows a man's pivot from failed writing to larceny, focusing on personal vocational struggles. While the film successfully challenges traditional ideas of professional success, it lacks structural diversity. The narrative does not utilize the way different parts of someone's identity overlap to drive the story forward. Ultimately, the film functions as a study of social displacement rather than a diverse ensemble piece. It remains centered on a specific, unnamed social group without broader representation.
Category Breakdown
The main character transitions from being a writer to a criminal. There are no visible LGBTQ+ characters or storylines that challenge the assumption that everyone is straight or cisgender.
The story follows Max Solomon, a male character dealing with professional failure. It does not explicitly explore masculinity or provide female empowerment within the main plot.
The plot focuses on the protagonist and his close friends. There is no indication of a diverse cast or the use of racial metaphors.
The film explores subjective morality by framing crime as a personal calling. This disrupts conventional social norms regarding success and professional ethics.
The film provides no information regarding characters with disabilities, neurodivergence, or specific mental health conditions.
Present on Screen
Limited or Absent
Official Synopsis
Max Solomon faces the awful truth that he will never be a writer. So, in a desperate attempt to find his true calling, he turns to crime. In this inventive comedy, three friends have their lives turned upside down when one of them realizes that larceny might be his best skill.

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