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Is There Sex After Death?

Name: Is There Sex After Death?
Director: Jeanne Abel, Alan Abel
Released: 1971
Duration: 102 min

No Poster Available

Representation Score

6.2/10

Good

1971

Director

Jeanne Abel, Alan Abel

Runtime

102 minutes

Average Rating

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New Showbiz Analysis

Is There Sex After Death? functions as a transitional piece of 1970s cinema. It challenges the era's moral taboos by adopting a secular, investigative approach to human sexuality through its mockumentary format. While the film pushes against traditional religious morality, it lacks significant depth in representing diverse identities. The narrative structure prioritizes the sociological study of sex over the representation of various backgrounds. Ultimately, the work reflects the shifting social mores of the sexual revolution without providing a complex, inclusive cast or addressing racial and disability-related perspectives.

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Category Breakdown

Does Is There Sex After Death? have LGBTQ+ representation?

Fair

The film's premise suggests an openness to non-traditional sexualities. However, there is no clear evidence of explicit queer ability to act or specific LGBTQ+ identities.

How does Is There Sex After Death? portray gender?

Fair

The film centers on sexual ability to act as a subject of inquiry, which may disrupt traditional domestic hierarchies. It remains unclear if the film challenges gender roles or simply observes them.

How racially and ethnically diverse is Is There Sex After Death??

Limited

Set in New York City, the film does not feature a predominantly non-white cast. The narrative focuses on sociology rather than the overlapping aspects of identity.

How does Is There Sex After Death? represent religion and culture?

Good

The film prioritizes secularism by breaking down traditional sexual morality. It moves away from religious frameworks toward a scientific exploration of human behavior.

Does Is There Sex After Death? include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities. The focus remains on sexuality rather than neurological or physical differences.

Present on Screen

Challenges traditional religious morality through a secular, investigative lens.
Engages with the era's shifting social mores regarding sexual ability to act.

Limited or Absent

Lacks documented representation of racial and ethnic diversity.
Provides no evidence of characters with physical or invisible disabilities.
Fails to demonstrate explicit LGBTQ+ ability to act or non-conforming character arcs.

Official Synopsis

Driving through New York City in his Sexmobile, Dr. Harrison Rogers of the Bureau of Sexological Investigation, searches out luminary figures in the world of sex.

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