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Baked in Brooklyn

Baked in Brooklyn

2016

NR

Director

Rory Rooney

Runtime

86 minutes

Average Rating

No ratings yet

Synopsis

A recent college graduate decides to sell marijuana on the streets of Manhattan after losing his job at a consulting firm. He soon meets the girl of his dreams. With an unsupportive girlfriend, an increase of clienteles, and the growing threats of being caught or killed, he soon realizes he is in way over his head.

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Diversity & Representation

Overall Score

2.8/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks evidence of non-heteronormative identities or same-sex intimacy. The romantic plot appears to follow traditional heteronormative structures.

Gender Representation

Fair

Gendered conflict is present through an unsupportive girlfriend, though her agency remains unclear. The protagonist's journey focuses on masculine-coded economic risk-taking.

Racial & Ethnic Diversity

Limited

While set in Manhattan, the film provides no explicit details regarding the racial composition of the cast. There is no evidence of intentional intersectional blending.

Religious & Cultural Diversity

Good

The narrative engages with themes of moral relativism and anti-capitalist frameworks. It explores the rejection of formal employment in favor of an illicit economy.

Disability Representation

Minimal

There is no evidence of neurodivergent characters or individuals with physical or sensory disabilities within the film.

Strengths

  • Engages with anti-capitalist themes by critiquing formal employment structures.
  • Explores moral ambiguity and situational ethics through the protagonist's illicit career choices.

Areas for Improvement

  • Lacks visible representation for LGBTQ+ identities and same-sex intimacy.
  • Provides no evidence of neurodivergent characters or individuals with disabilities.
  • Fails to explicitly detail racial or ethnic diversity within the Manhattan setting.

AI Analysis

Baked in Brooklyn is a character study centered on an individual's rebellion against corporate stability. The narrative prioritizes a conventional crime-drama structure over a deliberate architecture of intersectional representation. The film finds its strength in its thematic exploration of situational ethics and the deconstruction of traditional economic institutions. By framing crime as a means of personal agency, it offers a nuanced look at moral relativism. However, the film lacks substantive progressivism across most identity categories. It fails to provide visible representation for LGBTQ+ individuals or characters with disabilities, and remains vague regarding racial and ethnic plurality.

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