
A Faster Horse
2015

2009
Director
James Allen Smith
Runtime
77 minutes
Average Rating
No ratings yetSynopsis
Enter a world where pandemonium reigns and reckless ambition rules: the trading floors in the financial canyons of downtown Chicago. Here, men use strange hand signals to buy and sell everything from pork belly to soybeans while wearing the weight of our complex economy on their shoulders - along with their neon jackets. It's a physical, bruising place, one where a slight gain creates heroes, rich beyond what their high school educations should ever afford. But the wrong move on the wrong day can ruin lives. At a time when millions have lost fortunes in the fickle stock market and fear abounds about the faltering financial system, FLOORED is a gripping, honest look behind the curtain of the trading floor that few have ever seen
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a hyper-masculine, high-adrenaline environment. There is no evidence of LGBTQ+ characters or narratives addressing non-heteronormative identities within this setting.
Gender Representation
The narrative emphasizes a bruising workspace dominated by men. The focus on male traders suggests a reinforcement of traditional masculine hierarchies and a lack of female agency.
Racial & Ethnic Diversity
The documentary captures a specific slice of Chicago's financial sector. However, the subject matter lacks evidence of intentional racial intersectionality or a diverse, non-Anglo-Saxon majority cast.
Religious & Cultural Diversity
The film explores the mechanics of capitalism and market volatility. It portrays the pursuit of wealth through a traditional lens rather than offering a systemic critique of Western institutions.
Disability Representation
There is no evidence regarding the inclusion of individuals with physical, sensory, or neurodivergent disabilities. The focus remains on the high-energy performance required for floor trading.
Strengths
Areas for Improvement
AI Analysis
Floored serves as a specialized observational study of the Chicago commodity trading pits. The documentary prioritizes the physical intensity and volatility of the financial markets, which inherently centers on traditional masculine archetypes. Because the film documents a highly specialized professional subculture, it lacks engagement with intersectional identities. The narrative architecture is built around economic mechanics rather than social commentary or the disruption of conventional hierarchies. Ultimately, the work functions as a journalistic look at a specific industry, resulting in a narrow demographic focus that mirrors the established structures of the trading floor.

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