
Sully: Sully Sullenberger - The Man Behind the Miracle
2016

Representation Score
Minimal
2014
Director
George Simon
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film operates as a traditional procedural narrative that emphasizes institutional stability and professional excellence. It upholds existing social and professional hierarchies by focusing on the competence of established authorities. By following a standard Western heroic storyline, the work maintains a conservative storytelling approach. It lacks depth in representing diverse identities and does not challenge traditional social norms. Ultimately, the narrative structure is designed to celebrate discipline and adherence to standard operating procedures within a high-stakes institutional setting.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. The story focuses solely on the technical aspects of flight and emergency response, leaving no room for queer identities.
The story centers on masculine figures who embody leadership and technical expertise. Male characters play key roles, while female characters are often confined to supporting or domestic duties.
The cast is primarily made up of white actors, reflecting the historical context of the flight crew. The film does not offer meaningful representation of different racial backgrounds.
The film upholds traditional Western values and professional hierarchies. It highlights the effectiveness of established aviation protocols and emergency services without questioning them.
The film does not depict any significant characters with physical, sensory, or neurodivergent disabilities. Characters are shown as exemplifying peak cognitive and physical performance necessary for aviation.
Present on Screen
Limited or Absent
Official Synopsis
In 2009, just two minutes into US Airways flight 1549, a flock of birds struck the plane taking out both engines. With no power, the Captain decided to attempt the near impossible - to land it in New York's Hudson River.

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