The film adheres strictly to heteronormative social structures of the late 19th century. There are no depictions of non-cisnormative identities or same-sex intimacy.

Female characters are largely relegated to the periphery, serving primarily as victims of violence. The film highlights systemic dangers for women but lacks female agency.

The cast remains largely homogeneous, centering on Anglo-Saxon characters. The narrative maintains a traditionalist approach to the era's demographic constraints without diverse ethnic intersections.

The story critiques institutional corruption and the influence of secret societies like the Masons. It treats social decay as a byproduct of historical circumstance.

There is no meaningful portrayal of neurodivergence or physical disability. Characters are defined by professional competence or victimhood rather than lived experience with disability.