
Dolls
2019

Representation Score
Limited
2017
TV-14Director
Patrick Rea, John Edward Lee, Corey Norman, April Wright, J. Andrew Lee, Colin Campbell, Calvin Main
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Charlotte operates as a typical horror film, focusing on a conflict between a human and a possessed object. The anthology-style structure allows for varied perspectives, yet the content remains narrow. The film lacks demographic diversity, showing no evidence of racial, ethnic, or LGBTQ+ representation. While the female lead provides a central point of ability to act, the narrative relies on established genre clichés. Ultimately, the production prioritizes a singular supernatural threat over a broader exploration of identity, resulting in limited representation.
Category Breakdown
The story revolves around a conflict between a teenage babysitter and a possessed doll. There are no visible LGBTQ+ characters or non-cisgender identities in this framework.
A female protagonist drives the story, facing vulnerability and a supernatural force. Although the bondage cliché can risk traditional victimization, the narrative explores female endurance.
The provided context does not specify the racial or ethnic makeup of the cast. Without evidence of a diverse cast, the film lacks visible racial representation.
The film uses horror to challenge the safety of everyday life through a series of televised stories. However, it does not clearly show specific religious, secularist, or anti-capitalist themes.
There is no mention of characters with visible or invisible disabilities. The synopsis does not indicate any representation of neurodivergence or chronic illness.
Present on Screen
Limited or Absent
Official Synopsis
A teenage girl is babysitting at a new house when she's accosted by a vicious, possessed doll. With the babysitter in bondage, the toy subjects her to a series of terrifying tales on the television, each story more grave than the last.

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