
Planes, Trains and Automobiles
1987

Representation Score
Limited
1985
RDirector
Albert Brooks
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lost in America is a character-driven comedy that focuses on the deconstruction of middle-class neuroses, rather than broad demographic representation. The film lacks diverse representation for LGBTQ+ individuals, people of color, or those with disabilities. Instead, it delves into the fragility of patriarchal roles and the illusion of capitalist security. The work serves as a postmodern critique of Western stability, emphasizing the dissolution of the family unit and the rejection of established social norms.
Category Breakdown
The film centers on a traditional heterosexual relationship and does not include any LGBTQ+ characters or critiques of the assumption that everyone is straight or cisgender.
The story challenges traditional masculinity by focusing on a woman's independence and strength, rather than the typical male provider archetype.
The film primarily features a white, middle-class cast and does not include perspectives from people of color or use color-blind casting.
The movie provides a critical look at Western institutions and the instability of the American Dream, portraying capitalism and middle-class security as inherently flawed.
There are no characters with physical or neurodivergent disabilities featured in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
David and Linda Howard are successful yuppies from LA. When he gets a job disappointment, David convinces Linda that they should quit their jobs, liquidate their assets, and emulate the movie Easy Rider, spending the rest of their lives traveling around America...in a Winnebago.

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