
Second Time Around
2002

Representation Score
Good
2018
Director
José Esteban Alenda, César Esteban Alenda
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Not the End is a character-driven speculative drama that focuses on the metaphysics of memory and emotional resonance. The narrative architecture centers on the internal landscapes of grief and love, avoiding broader social commentary. By adhering to conventional romantic structures, the film does not actively seek to disrupt established social or identity-based hierarchies. The storytelling is deeply personal, focusing on the emotional journey between two individuals.
Category Breakdown
The film centers on the relationship between Javier and María, following a traditional romantic storyline. It does not include explicit narratives about non-binary identities or challenge the assumption that everyone is straight.
María’s journey to regain her vitality provides emotional depth. The film explores vulnerability in both protagonists, but the plot remains anchored in a conventional romantic pairing.
The story reflects a localized Spanish context with a primarily Spanish cast. It does not utilize diverse casting or non-human metaphors to broaden its scope.
The narrative delves into postmodern themes such as subjective memory and non-linear time. It serves as a personal metaphysical exploration without critiquing societal or religious institutions.
The film uses the metaphor of losing vitality and fragmented memory to explore disability. It does not provide literal representations of physical impairments or neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

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