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The Crossing of the Andes

The Crossing of the Andes

Representation Score

2.3/10

Limited

2011

Director

Leandro Ipiña

Runtime

95 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film is a period-specific realist drama that prioritizes historical authenticity and regional identity. By using a predominantly South American cast, it avoids the common practice of casting white actors in non-white roles. However, the narrative is heavily focused on traditional masculine dynamics, limiting its engagement with diverse identity markers. Ultimately, the film serves as a conventional historical epic that highlights regional ethnic authenticity over contemporary progressive representation.

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Category Breakdown

Does The Crossing of the Andes have LGBTQ+ representation?

Minimal

The film adheres to a conventional framework regarding gender and orientation, with no depiction of non-straight or non-cisgender identities. It does not engage with stories that challenge the assumption that everyone is straight or cisgender.

How does The Crossing of the Andes portray gender?

Limited

The narrative emphasizes male roles and masculine bonds, reflecting historical social structures. However, it lacks opportunities for women to take leading roles or influence the story significantly.

How racially and ethnically diverse is The Crossing of the Andes?

Good

The film features a predominantly South American cast, which enhances the regional authenticity and avoids the whitewashing common in Western-centric productions. This provides meaningful representation of South American identity.

How does The Crossing of the Andes represent religion and culture?

Fair

The film focuses on a realistic portrayal of the era's social structures, presenting a nuanced view of the heroic family unit. It does not explicitly critique broader societal systems but instead offers a subtle deconstruction of idealized family dynamics.

Does The Crossing of the Andes include disability representation?

Minimal

The film does not feature any characters with visible or invisible disabilities. These conditions are not used as central plot devices or themes within the narrative.

Present on Screen

  • Features a predominantly South American cast, enhancing regional authenticity
  • Avoids whitewashing by aligning casting with the historical and geographical context
  • Provides meaningful representation of South American identity and ability to act

Limited or Absent

  • Lacks opportunities for women to take leading roles or influence the story
  • Does not depict non-straight or non-cisgender identities or challenge the assumption that everyone is straight or cisgender
  • Does not feature characters with visible or invisible disabilities

Official Synopsis

Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.

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