
The Raid
2012

Representation Score
Fair
2014
RDirector
Gareth Evans
Runtime
150 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Raid 2 stands out by providing a culturally authentic experience set within the urban context of Jakarta. This non-Western focus offers a fresh perspective on systemic issues, diverging from standard Hollywood crime thrillers. However, the film is dominated by hyper-masculine archetypes, where power dynamics are almost entirely male-driven, leaving female characters with limited roles beyond emotional support. Consequently, while the film effectively critiques institutional authority, it lacks diverse perspectives on gender, sexuality, and disability.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. It emphasizes traditional family structures centered around heterosexual relationships.
The story revolves around a male-dominated hierarchy of combat and power. Female characters are mostly confined to supporting roles, serving primarily as emotional stakes rather than active participants.
The film showcases a strong representation of Indonesian identity. By focusing on a non-Western cast in Jakarta, it breaks away from typical Anglo-centric action clichés.
The narrative presents a nuanced critique of state power and institutional corruption. It depicts high-ranking officials as predators involved in organized crime.
There is no meaningful representation of disability. Physical trauma is used as a plot device for action without delving into the lived experiences of those with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.

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