
Excision
2008

2008
NOT RATEDDirector
Minatsuki Yoshida
Runtime
39 minutes
Average Rating
No ratings yetSynopsis
DIY, rare, strange art film. A coulple girls from "suicide girls" who branched off to the "gods girls" website made this film in 2008. Its really twisted, semi reality based, a series of scenes more or less. Girls drinking Jager punching each other, wrestling in pigs blood, cooking ketamine, tampon removal, and cupcakes…you know, the usual. It should be noted, this was extremely DIY, shot on different cameras, some of the film is letterboxed and some isn't, this is how the original looks.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film emerges from the Suicide Girls subculture, which aligns with queer-adjacent aesthetics. It favors non-traditional female camaraderie over conventional domesticity or heteronormative structures.
Gender Representation
Women drive the narrative through visceral, transgressive actions like physical combat. This rejects passive female tropes in favor of raw, autonomous agency and unrefined behavior.
Racial & Ethnic Diversity
There is no specific information regarding the racial or ethnic composition of the cast. A definitive score cannot be assigned without visual confirmation of the ensemble.
Religious & Cultural Diversity
The film critiques social stability by prioritizing chaotic, subjective morality. It rejects mainstream cultural expectations and Western institutional decorum through its DIY, rebellious lens.
Disability Representation
The film explores psychological extremity and volatility. However, it remains unclear if these scenes depict neurodivergence or simply use mental instability as a stylistic device.
Strengths
Areas for Improvement
AI Analysis
Cupcake Girls: I Hate It is a radical piece of DIY horror that functions as a deconstruction of social norms. It replaces traditional narrative cohesion with a series of twisted, semi-reality vignettes that prioritize unmediated experience. The film's primary impact is its aggressive subversion of gendered expectations. By centering on women engaging in high-intensity, chaotic activities, it dismantles the trope of the nurturing female protagonist. While the work successfully challenges cultural hierarchies and mainstream decorum, it lacks clarity regarding specific character identities, such as racial background or the intent behind its psychological portrayals.

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