New Showbiz

You are here:
For the Ones We Loved

For the Ones We Loved

2019

Director

Pascal Thomas

Runtime

96 minutes

Average Rating

No ratings yet

Synopsis

At a wedding where the husband runs away, everyone has his own story to tell about the trivial misfortune of a person in love with someone that slips away. The guests paint a full picture of clumsiness, lies, and bad luck, that makes impossible, whatever the age, all attempts of seduction... or close enough !

Where to Watch

Diversity & Representation

Overall Score

3.8/10

Limited


Category Breakdown

LGBTQ+ Representation

Limited

The film operates within a conventional framework of heteronormative romantic pursuit. There is no explicit evidence of non-cisnormative gender identities or queer-coded narratives in the story.

Gender Representation

Fair

The narrative focuses on gendered social performance and the clumsiness of seduction. While the fleeing husband disrupts traditional marital unions, the film lacks a systematic deconstruction of patriarchy.

Racial & Ethnic Diversity

Limited

The production likely features a homogeneous cast typical of traditional French situational comedies. There is no indication of multi-ethnic casting or diverse racial representation within the social milieu.

Religious & Cultural Diversity

Fair

The story explores social etiquette and moral complexity through the lens of a wedding. However, it adheres to conventional Western social rituals rather than critiquing these institutions.

Disability Representation

Limited

The narrative focus remains strictly on the mechanics of romantic failure and social clumsiness. There is no evidence of characters with visible or invisible disabilities.

Strengths

  • Explores moral complexity through the lens of social lies and bad luck.
  • Provides a nuanced look at the clumsiness of human social performance.

Areas for Improvement

  • Lacks intentionality in providing intersectional or diverse representation.
  • Relies on conventional heteronormative frameworks and traditional social rituals.

AI Analysis

Pascal Thomas delivers a traditional character-driven comedy centered on the chaos of human interaction. The film explores the instability of romantic intentions and the trivial misfortunes of social gatherings through a series of lies and mishaps. While the film avoids idealized depictions of family by highlighting human ineptitude, it lacks intentionality regarding intersectional representation. The narrative architecture remains rooted in established social structures and conventional romantic tropes. Ultimately, the work functions as a study of situational irony rather than a vehicle for systemic social critique or radical identity politics.

How are these scores produced? →

Similar Movies

Movie poster for Celles qu'on n'a pas eues

Celles qu'on n'a pas eues

1981

No user ratings available yet
Diversity score: 3.1 out of 10

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.