It Runs in the Family
2003
No user ratings available yet
Diversity score: 1.8 out of 10
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Bad Behavior
1993
Director
Les Blair
Runtime
104 minutes
Average Rating
No ratings yetSynopsis
The McAllister family house is the setting for Gerry and Ellie's grapples with work, children and how to get the bathroom fixed. Both have reached the stage where reason cannot be heard above the ticking clock of experience and ambition. When temptation comes, how will they react?
Where to Watch
Diversity & Representation
Overall Score
3.5/10
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on the traditional dyadic structure of a married couple. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.
Gender Representation
The story depicts a struggle for agency within a domestic setting. While it touches on career and domestic tension, it lacks a systemic deconstruction of gendered power dynamics.
Racial & Ethnic Diversity
The narrative provides no information regarding the racial or ethnic composition of the McAllister family. Consequently, the racial diversity of the cast remains unaddressed.
Religious & Cultural Diversity
The film explores the stressors of middle-class, Western domestic life. It operates within a conventional framework of domestic drama rather than critiquing Western institutions.
Disability Representation
There is no mention of neurodivergence, physical disabilities, or mental health conditions. The character descriptions do not include any representation of disability.
Strengths
- The film explores the complexities of modern ambition and the friction between professional and domestic life.
Areas for Improvement
- The narrative lacks intersectional depth and fails to disrupt traditional social norms.
- There is no evidence of non-cisnormative identities or diverse racial representation.
- The story does not address disability or neurodivergence within its character studies.
AI Analysis
Bad Behavior functions as a conventional domestic character study centered on the McAllister family. The narrative prioritizes the micro-tensions of marital cohesion and professional ambition over the exploration of identity politics or systemic subversion. The film's focus remains on individualistic struggles and the breakdown of interpersonal communication. It operates within a standard framework of middle-class Western life, offering little disruption to traditional social norms. Ultimately, the work lacks intersectional depth. While it examines the complexities of modern existence, it does not engage with broader social hierarchies or diverse identity narratives.
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