
The Dangerous
1995

1993
RDirector
Cirio H. Santiago
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
An assassination in the Philippines is caught on film by kickboxer Christy, which leads to her death at the hands of radicals intent on disrupting peace talks. Her sister Kat, a Los Angeles police officer, comes to Manila to try and bring justice to the people responsible. She enters the kickboxing tournament in order to get closer to the nefarious agents, and begins unravelling the twisted plan while narrowly evading the wrath of the Death Brigades.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives addressing non-cisnormative identities. The story focuses on a sibling bond and a standard revenge arc within a traditional framework.
Gender Representation
Female protagonists drive the plot through roles in law enforcement and competitive kickboxing. This provides meaningful agency, though it is unclear if empowerment extends to the supporting cast.
Racial & Ethnic Diversity
The transnational setting in the Philippines facilitates a diverse visual landscape. The narrative intersects Los Angeles law enforcement with local Filipino radicals, moving beyond purely Anglo-centric settings.
Religious & Cultural Diversity
The story utilizes a traditional good versus evil framework centered on peace talks and justice. It lacks a deep critique of Western institutions or complex moral relativism.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health conditions. No information is available to assess this category.
Strengths
Areas for Improvement
AI Analysis
Angelfist centers its narrative on female agency, placing women in high-stakes, physically demanding roles like police work and kickboxing. This disrupts conventional gender hierarchies by making women the primary drivers of the action. The film also expands its scope by utilizing a non-Western setting. By moving the action to the Philippines, the story incorporates a transnational perspective that avoids the standard Anglo-centric tropes of 1990s action cinema. However, the film remains tethered to traditional thriller conventions. It follows a straightforward justice-seeking arc that lacks intersectional depth or a meaningful critique of systemic power structures.

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