The film lacks evidence of non-cisnormative identities or narratives that critique heteronormativity. It appears to follow traditional horror tropes that prioritize heteronormative social structures.

The focus on fortune hunters leans toward traditional masculine archetypes of physical dominance. There is no evidence of female characters possessing agency that disrupts traditional gender hierarchies.

The narrative framework relies on colonialist adventure tropes regarding ancient artifacts. The ensemble lacks explicit indicators of race-bent casting or a non-Anglo-Saxon majority.

The plot functions on a standard curse and consequence model. It does not demonstrate a preference for secularism, instead leaning into traditional morality regarding supernatural threats.

There is no indication that neurodivergence or physical disabilities are integrated into character arcs with agency. Physical vulnerability is likely used as a plot device rather than nuanced exploration.