
Frankie Boyle: The Last Days of Sodom
2012

2007
Director
David Powers
Runtime
135 minutes
Average Rating
No ratings yetSynopsis
Irelands Number 1 comedian Tommy Tiernan’s live stand up show Ok Baby filmed at this years (2007) Bud Light Comedy Revue at the Iveagh Gardens, Dublin with extra bonus material This performance was filmed in July 2007. In typical Tommy Tiernan style it’s not for the faint hearted or ‘easily offended’ – wicked, wild and ferociously funny, nothing is sacred. Chapters: Opposite of Mass Farmer Time Touch Me Outdoor Lover Man Dark Matter Hot Rain No God….T-Rex
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The performance likely engages with non-normative social behaviors and critiques heteronormative structures. However, there is no confirmed, central LGBTQ+ narrative present in the material.
Gender Representation
The show subverts traditional gender hierarchies and patriarchal archetypes. Masculinity is often portrayed through a lens of absurdity or vulnerability, disrupting standard leadership tropes.
Racial & Ethnic Diversity
The production features a localized, relatively homogeneous audience in Dublin. There is no evidence of a diverse cast or a non-Anglo-Saxon majority.
Religious & Cultural Diversity
The special prioritizes secularism and critiques religious hegemony through chapters like 'No God...T-Rex.' It uses a framework of moral relativism to deconstruct traditional sanctity.
Disability Representation
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within this performance.
Strengths
Areas for Improvement
AI Analysis
Tommy Tiernan: OK Baby is a stand-up special defined by its irreverent, boundary-pushing comedic style. The production excels at cultural subversion, specifically targeting religious and social institutions through a progressive, secular lens. While the thematic content challenges traditional norms, the visual and demographic scope remains limited. The performance is centered on a localized Dublin audience, which restricts racial and ethnic variety. Ultimately, the special offers a high degree of intellectual and cultural disruption, even if it lacks explicit representation of specific identity groups or disabilities.

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