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2015

Representation Score
Minimal
2021
Director
Konrad Aksinowicz
Runtime
109 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Back to Those Days is a conventional domestic drama focused on the psychological tension of a father's unexpected return. The film relies on standard clichés about the nuclear family, emphasizing interpersonal conflict over broader social representation. While the story touches on the socio-economic realities of migration and the financial pressures faced by the diaspora, it does not actively challenge conventional social hierarchies. The narrative structure remains centered on a traditional family unit. Ultimately, the film lacks intentional multi-layered representation, focusing instead on the emotional consequences of familial abandonment and the disruption of a stable household.
Category Breakdown
The film does not include any LGBTQ+ characters or representations of non-cisgender identities. It centers on a traditional nuclear family made up of a mother, father, and son.
The story highlights a period of female-led domestic stability while the father is away. However, the father's return hints at a possible shift back to traditional patriarchal structures.
The setting seems localized and likely homogeneous, with no indication of multi-ethnic casting or diverse racial identities within the central family.
The film examines the economic pressures of migration and the diaspora, touching on the necessity of leaving for financial reasons. It remains grounded in traditional family dynamics.
There is no mention of characters with visible or invisible disabilities. The narrative does not address disability within its domestic context.
Present on Screen
Limited or Absent
Official Synopsis
Tomek lives only with his mother, because his father, Alek, left for the USA to earn some money. Unexpectedly, the man arrives home with a bunch of presents but no explanation as to why he has come back. Everybody seems happy but something is in the air.

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